{"title":"Pop music","description":"","products":[{"product_id":"lanterns-on-the-lake-spook-the-herd-black-vinyl","title":"Lanterns On The Lake - Spook The Herd","description":"\u003ch5\u003eTracklisting\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003eWhen It All Comes True\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBaddies\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEvery Atom\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBlue Screen Beams\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBefore They Excavate\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSwimming Lessons\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSecrets \u0026amp; Medicine\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThis Is Not A Drill\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eA Fitting End\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLP pressed on 180g vinyl with digital download code.\u003c\/p\u003e\n\u003cp\u003eLanterns On The Lake announce their new studio album, ‘Spook The Herd’, released via Bella Union.\u003c\/p\u003e\n\u003cp\u003eIt’s strange - not to mention fundamentally disconcerting - to live through turbulent times. Yet as many feel like the world is slipping out of control, artists are enlivened as they seek to make sense of the shifting sands. Hazel Wilde of Lanterns On The Lake is now a songwriter necessarily emboldened. On ‘Spook The Herd’, the band’s fourth album, her voice and preoccupations rise to the fore like never before. In tandem, the band break new ground on a set of songs that are direct and crucial.\u003c\/p\u003e\n\u003cp\u003eWilde does nothing less than dive headlong into the existential crises of our times. Beginning with the record’s title - a pointed comment at the dangerously manipulative tactics of ideologues - its nine songs turn the microscope to issues including our hopelessly polarized politics, social media, addiction, grief and the climate crisis.\u003c\/p\u003e\n\u003cp\u003eThe world is brought into focus but Wilde’s style is not declarative. She also proves herself a songwriter possessed of a rare talent for finding the personal contours to contemporary issues, fully inhabiting them to make them real. Recorded as live where possible, the band’s natural touchstones of gauzy dream-pop and monumental post rock still float in the air but listening to Lanterns On The Lake now feels like actually sitting in the corner of the room as they play. As guitarist and producer Paul Gregory says of approaching their fourth album, “There was a sense of release in terms of what kind of music we felt we could make. The idea of what kind of band you’re supposed to be really disappeared. It was great; you felt you could do whatever you like.”\u003c\/p\u003e\n\u003cp\u003eGenre: Electronic, Rock, Pop\u003cbr\u003eStyle: Alternative Rock, Downtempo, Vocal, Ambient\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/open.spotify.com\/embed\/album\/4duMyAIr8ImqqtVHswfpQJ\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":32124701311020,"sku":"BELLA947V","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0023\/7666\/3084\/products\/Lanterns_On_The_Lake_Spook_The_Herd_album_cover.jpg?v=1581503127"},{"product_id":"james-righton-the-performer-vinyl","title":"James Righton -The Performer","description":"\u003ch5\u003eTracklisting\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003eThe Performer\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEdie\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSee The Monster\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDevil Is Loose\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLessons In Dreamland, Pt. 1\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStart\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAre You With Me?\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHeavy Heart\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLessons In Dreamland, Pt. 2\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eAfter coming to prominence as the frontman of the Mercury Prize-winning Klaxons, recording with Arctic Monkeys and crafting his Shock Machine project, James Righton is now set to release his debut solo album ‘The Performer’.\u003c\/p\u003e\n\u003cp\u003e‘The Performer’ stands in stark contrast to the electrohedonism of Righton’s work with Klaxons. Instead, it spins through various points from 1970 onwards. It touches on the suave art-lounge of Roxy Music, the jangly grooves of R.E.M., the sumptuous psychedelia of latter day Beach Boys and the songwriting gift of Nick Lowe. In short, it uses classic elements as the groundwork for something which feels a natural fit for 2019.\u003c\/p\u003e\n\u003cp\u003eThe album flits between two core themes. Fatherhood has changed Righton’s life. It’s altered the relationship with his wife Keira Knightley, which he explores on the 90s-tinged pop-rock of ‘Start’ and the crescendo that soars through ‘Lessons In Dreamland, Pt2’. But there are simpler emotions too, with the unrequited love and sweet harmonies of ‘Edie’, a song he wrote for his daughter when she was just a few days old.\u003c\/p\u003e\n\u003cp\u003e‘The Performer’ was written, performed and produced by James Righton, with the help of some select collaborators. James Ford (The Last Shadow Puppets, Simian Mobile Disco) performed drums throughout and bass on two tracks; Sean O’Hagan (High Llamas, Microdisney) contributed string arrangements; saxophone was provided by Jorja Chalmers (Bryan Ferry) and Josephine Stephenson (Thom Yorke, Ex:Re) contributed additional piano and string arrangements.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGenre: \u003c\/span\u003e\u003cspan\u003ePop\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStyle: \u003c\/span\u003e\u003cspan\u003eIndie Pop\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/open.spotify.com\/embed\/artist\/5jpyAwEsD5SwG8bno6eCS8\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e","brand":"[PIAS]","offers":[{"title":"Default Title","offer_id":32390501793836,"sku":"DEEWEE036","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0023\/7666\/3084\/products\/James_Righton_the_performer_vinyl.jpg?v=1582626280"},{"product_id":"panda-bear-buoys-vinyl","title":"Panda Bear ‎– Buoys","description":"\u003ch5\u003eTracklisting\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003eDolphin \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCranked \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eToken \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eI Know I Don't Know \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaster \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBuoys \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInner Monologue \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCrescendo \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHome Free\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLimited Edition LP Heavyweight 180 Gram \u003cstrong\u003eRed Marbled Colour Vinyl \u003c\/strong\u003e Tip-On Jacket. Includes Download of Mp3, WAV and 24-bit WAV.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNoah Lennox's sixth solo album as Panda Bear is Buoys. The first song to be released from Buoys is “Dolphin”: Lennox’s bright, sincere voice front and center, with miles of space surrounding it, a guitar and some textured samples fleshing out the dubby sparseness and undercurrent of speaker-limit-pushing sub-bass low-end. Buoys was co-produced and co-mixed by collaborator Rusty Santos in Lennox’s adopted home of Lisbon, Portugal. Lennox and Santos last collaborated on the landmark Panda Bear album Person Pitch, which had its 10-year anniversary last year.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAnimated by their ongoing interest in contemporary music production techniques, Lennox and Santos envisioned something that would “feel familiar to a young person’s ears.” However, Buoys retains a deep layer of experimentation coursing through the hyper-modern production – a hallmark of Panda Bear releases that will feel intimately familiar to fans of Lennox’s decade-plus body of work.\u003c\/p\u003e\n\u003cp\u003eAlongside Santos, Buoys also features collaborators in Chilean DJ\/vocalist Lizz and Portuguese musician Dino D'Santiago, both artists who came to Lennox via Santos’ recent trap and reggaeton production work; the former contributes arrangements throughout the album including “Dolphin,” and both lend their vocals to “Inner Monologue.\"\u003c\/p\u003e\n\u003cp\u003eBuoys is the first Panda Bear release since 2018's vinyl-only EP A Day With the Homies, and the follow-up to 2015's kaleidoscopic full-length Panda Bear Meets the Grim Reaper. \"The last three records felt like a chapter to me, and this feels like the beginning of something new,\" says Lennox whilst surveying how Buoys relates to the estimable Panda Bear catalogue. Indeed, the forthcoming Buoys is full of fresh ideas from one of modern music's most fascinating, innovative, and emotionally generous artists.\u003c\/p\u003e\n\u003cp\u003eGenre: Electronic, Rock, Pop\u003cbr\u003eStyle: Experimental\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/open.spotify.com\/embed\/album\/3vnTHiTvlOcNFg2wCK0Uyl\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e","brand":"Domino","offers":[{"title":"Default Title","offer_id":33433815285804,"sku":"WIGLP399X","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0023\/7666\/3084\/products\/PandaBear_Buoysalbumcover.jpg?v=1586255109"},{"product_id":"alice-boman-dream-on-vinyl","title":"Alice Boman ‎– Dream On","description":"\u003ch5\u003eTracklisting\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan\u003eWish We Had More Time\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eHeart On Fire\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eThe More I Cry\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eWho Knows\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDon't Forget About Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eEverybody Hurts\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eHold On\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eIt's OK, It's Alright\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eThis Is Where It Ends\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMississippi\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eVinyl, LP, Album, Limited Edition, Yellow Transparent.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA deeply textural, atmospheric and immersive sounding record.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eAlice Boman’s fragile yet engulfing ethereal vocals create a vortex that listeners are sucked in by. 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Includes download code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBella Union introduce Dog In The Snow, the moniker of Brighton-based artist Helen Ganya Brown. Dog In The Snow’s Bella Union debut is ‘Vanishing Lands’; an imposing, haunting and luminous collection of songs in the darker spaces between dream-pop, art-rock and electronica, lifted by euphoric melodies, ravishing vocals and absorbing lyrics.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e‘Vanishing Lands’ was initially created at Brown’s home in Brighton before co-producer Rob Flynn helped her add shifting, impressionistic swathes of colour, from the ominous chords that open ‘Light’ to the vocal eddies that close ‘Dark’.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBrown wrote 8 of the 10 songs in a 3-week spell after a period of “strange dreams.” She recalls: “Dreams in black and white. I found myself in a dreamland and discovered it was being destroyed. 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Dizzy instill their songs with a warm and open-hearted sincerity, an extension of the gentle camaraderie within the band itself.\u003c\/p\u003e\n\u003cp\u003eThey released Baby Teeth in August 2018, which along with winning their Juno Award, the band found Baby Teeth included on the 2019 Polaris Music Prize Long List and praised by such tastemaking outlets as Stereogum, Earmilk, and The Line of Best Fit.\u003cbr\u003eThe Sun and Her Scorch was produced by Dizzy and mixed by Craig Silvey (Arcade Fire,\u003c\/p\u003e\n\u003cp\u003eFlorence + The Machine.) The album is a candid exploration of the messiest, most raw emotions young people experience in 2020, laden with confessions of insecurity, resentment and fear of failure.\u003c\/p\u003e\n\u003cp\u003e“Baby Teeth was all about the confusion and sadness of my late teens, but this one is more about the qualities of myself that I’m not very proud of,” Katie says. “I wanted to be completely honest about the things nobody ever wants to admit, like being jealous of your friends or pushing away the people who love you. So instead of being about romantic heartbreak, it’s really about self-heartbreak.”\u003c\/p\u003e\n\u003cp\u003eThe album’s deeply personal lyrics are infinitely brightened by Dizzy’s buoyant melodies, with brothersAlex (guitar), Mackenzie (bass) and Charlie Spencer (drums) creating an eternally sunny indie pop sound to compliment Katie’s blissful vocals. 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Also in standard heavyweight black vinyl.\u003c\/p\u003e\n\u003cp\u003eBerlin-based, Swiss singer, multi-instrumentalist and film composer Sophie Hunger will release her seventh studio album - her first in two years - ‘Halluzinationen’ on August 28, 2020 via Caroline International. The album - recorded at Abbey Road Studios in live continuous takes - is produced by MPG UK Producer Of The Year, Speedy Wunderground’s Dan Carey (Kate Tempest, Fontaines DC), also at the helm for 2018’s ‘Molecules’ which featured 6Music play-listed single ‘I Opened A Bar’.\u003c\/p\u003e\n\u003cp\u003e‘Halluzinationen’ arrives bearing an emphatic German title, as Hunger - still resident in Berlin’s Kreuzberg neighbourhood - picks at the creative dependency between loneliness and the imagination. Electing this time around to decamp from Carey’s Speedy Wunderground studio in South London to the august surrounds of Abbey Road’s Studio 2, ‘Halluzinationen’ is suffused with the nervous energy of its continuous live recording technique, with the album captured in sequence just six times over the course of two days. It’s an approach Hunger succinctly identifies as ‘Full risk’.\u003c\/p\u003e\n\u003cp\u003eSophie Hunger’s six solo albums to date have accrued over a quarter of a million sales, drawing her comparisons to contemporaries including Sharon Van Etten and PJ Harvey, with fans as wide-ranging as Lauren Laverne (who says of Sophie ‘I love this woman’), Steven Wilson (who tapped Hunger to guest on his UK Top 3 album ‘To The Bone’) and unlikely enough, footballing legend Eric Cantona (a long-standing fan of Sophie’s who guested to intone in French on ‘Supermoon’). 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Its sequel Love-Lore, a live covers medley, channeled futurist mid-century artists Parliament, Sun Ra and Stockhausen, to name a handful into a patchwork love letter to the anti-authoritarian expressions that inspire the band.\u003c\/p\u003e\n\u003cp\u003eGalvanized by the challenge of unifying many styles of music, Deerhoof landed on their next record’s concept: baroque gone DIY. Actually, You Can is a genre-abundant record that uses technicolor vibrancy and arpeggiated muscularity to offer a vital shock from capitalism’s purgatorial hold. “In the United States now, to be a moral person means to be a criminal, whether it has to do with a general strike or forming a union or Black Lives Matter protests,” clarifies Saunier of the album’s countercultural embrace of liberation. “If you follow the rules, you’re guilty. 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He sought out far-traveling delays, heavy playing, and unique panning to evoke the power of outdoor music. Matsuzaki scrutinized spots that would betray the conceit, eliminating anything that took away from the sound of onstage grandeur. “We spent so much time imagining playing together in the process of recording, it’s almost like a false memory of us playing this music together,” Saunier marvels.\u003c\/p\u003e\n\u003cp\u003eFor Deerhoof’s members to continually uncover new corners of their own talent requires deep wells of gratitude, not only for each others’ creativity but for the freedom their career affords. But by embracing each other’s art with curiosity, Deerhoof authors a musical alphabet that continues to astound and inspire, a unique lexicon expanding limitlessly with each album. 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How It Ends\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003ch3\u003e\n\u003cspan\u003eHot red vinyl. \u003c\/span\u003eIncludes download code and Printed Inner.\u003c\/h3\u003e\n\u003cp\u003eGeorgia Gothic, a magic third in Mattiel’s run of full-length albums, was shaped in the quiet seclusion of a woodland cabin in the north of the Atlanta duo’s mother-state.\u003c\/p\u003e\n\u003cp\u003eCultivated by time spent together on the road touring the first two albums, it is this newfound sense of intimacy between Mattiel’s members that enabled the writing of Georgia Gothic not as two separate musicians, but rather as one creative entity. The album remained within the four walls of Brown and Swilley’s private world for much of its evolution — with recording taking place in a simple studio set up by the pair in the borrowed room of a dialysis centre, Swilley in the producer’s seat — until, nearing completion, it was transferred into the trusted hands of the Grammy-award-winning John Congleton (whose extensive list of credits includes artists as diverse as Angel Olsen, Earl Sweatshirt, Erykah Badu and Sleater Kinney) for mixing. 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