{"title":"Rock Music","description":null,"products":[{"product_id":"aldous-harding-designer-black-vinyl","title":"Aldous Harding - Designer","description":"\u003ch5\u003eTracklisting\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003eFixture Picture\u003c\/li\u003e\n\u003cli\u003eDesigner\u003c\/li\u003e\n\u003cli\u003eZoo Eyes\u003c\/li\u003e\n\u003cli\u003eTreasure\u003c\/li\u003e\n\u003cli\u003eThe Barrel\u003c\/li\u003e\n\u003cli\u003eDamn\u003c\/li\u003e\n\u003cli\u003eWeight of the Planets\u003c\/li\u003e\n\u003cli\u003eHeaven is Empty\u003c\/li\u003e\n\u003cli\u003ePilot\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eIncludes a download code. \"Indie Exclusive\" pressing on black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDesigner\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efinds the Aldous Harding hitting her creative stride.  After\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eParty\u003c\/em\u003e, Harding came off a 100-date tour last summer and went straight into the studio with a collection of songs written on the road.  Reuniting with John Parish, producer of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eParty\u003c\/em\u003e, Harding spent 15 days recording and 10 days mixing at Rockfield Studios, Monmouth and Bristol’s J\u0026amp;J Studio and Playpen.\u003c\/p\u003e\n\u003cp\u003eFrom the bold strokes of opening track ‘Fixture Picture’, there is an overriding sense of an enigmatic artist confident in their work, with contributions from Huw Evans (H. 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These themes emerged while working at Risque Disque, which Boeckner jokingly describes as a Dutchman’s failed utopia, a problematic structure with a post-apocalyptic vibe: the studio is housed in a stone barn hand-built by the Dutchman in the middle of the woods, using local materials and based on his memory of a building he loved growing up in The Netherlands.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Thin Mind'\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efinds the core members of Wolf Parade working as a trio, as they did on past albums 'Apologies to the Queen Mary' and 'At Mount Zoomer', with songwriting duties evenly split between singers Dan Boeckner and Spencer Krug. The album includes the singles 'Forest Green', 'Julia, Take Your Man Home'  and 'Against the Day', the latter of which features a rare, co-vocal performance from Boeckner and Krug.\u003c\/p\u003e\n\u003cp\u003eGenre: Rock\u003cbr\u003eStyle: Indie Rock\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/open.spotify.com\/embed\/album\/4vWmkhfWVZRsxZYGVbm05z\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e","brand":"Sub Pop","offers":[{"title":"Default Title","offer_id":31841979826220,"sku":"SP1333X","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0023\/7666\/3084\/products\/a0762606729_10.jpg?v=1581503099"},{"product_id":"algiers-there-is-no-year-black-vinyl","title":"Algiers - There Is No Year","description":"\u003ch5\u003eTracklisting\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003eThere Is No Year\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDispossession\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHour Of The Furnaces \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLosing Is Yours\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eUnoccupied \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eChaka \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWait For The Sound \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRepeating Night\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWe Can't Be Found\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNothing Bloomed\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eStandard edition black vinyl LP. 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Gatefold Sleeve. Includes Download Coupon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMemphis Industries new release is “Making A New World”, a 19 track song cycle about the after-effects of the First World War. 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Yet as many feel like the world is slipping out of control, artists are enlivened as they seek to make sense of the shifting sands. Hazel Wilde of Lanterns On The Lake is now a songwriter necessarily emboldened. On ‘Spook The Herd’, the band’s fourth album, her voice and preoccupations rise to the fore like never before. In tandem, the band break new ground on a set of songs that are direct and crucial.\u003c\/p\u003e\n\u003cp\u003eWilde does nothing less than dive headlong into the existential crises of our times. Beginning with the record’s title - a pointed comment at the dangerously manipulative tactics of ideologues - its nine songs turn the microscope to issues including our hopelessly polarized politics, social media, addiction, grief and the climate crisis.\u003c\/p\u003e\n\u003cp\u003eThe world is brought into focus but Wilde’s style is not declarative. She also proves herself a songwriter possessed of a rare talent for finding the personal contours to contemporary issues, fully inhabiting them to make them real. Recorded as live where possible, the band’s natural touchstones of gauzy dream-pop and monumental post rock still float in the air but listening to Lanterns On The Lake now feels like actually sitting in the corner of the room as they play. As guitarist and producer Paul Gregory says of approaching their fourth album, “There was a sense of release in terms of what kind of music we felt we could make. The idea of what kind of band you’re supposed to be really disappeared. It was great; you felt you could do whatever you like.”\u003c\/p\u003e\n\u003cp\u003eGenre: Electronic, Rock, Pop\u003cbr\u003eStyle: Alternative Rock, Downtempo, Vocal, Ambient\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/open.spotify.com\/embed\/album\/4duMyAIr8ImqqtVHswfpQJ\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":32124701311020,"sku":"BELLA947V","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0023\/7666\/3084\/products\/Lanterns_On_The_Lake_Spook_The_Herd_album_cover.jpg?v=1581503127"},{"product_id":"cold-beat-mother-black-vinyl","title":"Cold Beat - Mother","description":"\u003ch5\u003eTracklisting\u003c\/h5\u003e\n\u003col\u003e\n\u003cli\u003eSmoke\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePrism\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePaper\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePearls\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eGloves\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThrough\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDouble Sided Mirror\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMother\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCrimes\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFlat Earth\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLP includes digital download code.\u003c\/p\u003e\n\u003cp\u003eSan Francisco band Cold Beat make their DFA debut with ‘Mother’, a collection of ten pop transmissions from Earth.\u003c\/p\u003e\n\u003cp\u003eWound tight with an energy that ricochets from one song into the next, ‘Mother’ was made while frontperson Hannah Lew (formerly of indie trio Grass Widow) was pregnant and considering the chaotic conditions of the world she was bringing a new human into. 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Each of the first five track titles is one evocative word: the synths on ‘Prism’ slide against the motorik guitar riffs and the plaintive saxophone on ‘Paper’ casts the Leonard Cohen-esque melody in a melancholy shadow; ‘Gloves’ is a real mood, all drive. 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LPs include digital download cards.\u003c\/p\u003e\n\u003cp\u003eArbouretum’s mystic folk-rock uses English folk, country blues, Americana and 70s psychedelia as touchpoints in their singular and distinctive sound and they’ve perfected the craft of storytelling, using a delicate interplay of melodies and prosaic lyrics.\u003c\/p\u003e\n\u003cp\u003e‘Let It All’ In is their most accomplished and evocative album yet. Guitarist and vocalist Dave Heumann’s melodies and solos remain a central focus, bolstered by the hypnotic rhythms of bassist Corey Allender and drummer Brian Carey, enhanced by Matthew Pierce’s substantial yet understated keyboard figures. 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Allen III, and Ben Etter. Forgetting the questions and making up unrelated answers, Deerhunter’s eighth LP is a science fiction album about the present. Exhausted with the toxic concept of nostalgia, they reinvent their approach to microphones, the drum kit, the harpsichord, the electromechanical and synthetic sounds of keyboards. 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Includes Download of Mp3, WAV and 24-bit WAV.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNoah Lennox's sixth solo album as Panda Bear is Buoys. The first song to be released from Buoys is “Dolphin”: Lennox’s bright, sincere voice front and center, with miles of space surrounding it, a guitar and some textured samples fleshing out the dubby sparseness and undercurrent of speaker-limit-pushing sub-bass low-end. Buoys was co-produced and co-mixed by collaborator Rusty Santos in Lennox’s adopted home of Lisbon, Portugal. 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Whether it be the seething intensity crackling throughout debut LP Songs of Praise or the adrenaline-pumping chaos that unfolds at Shame’s shows, it’s all fueled by feeling. NPR’s Bob Boilen noted, “Of the 70 bands I saw at this year’s SXSW, the band Shame seemed to mean what they played more than any other.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComprised of vocalist Charlie Steen, guitarists Sean Coyle-Smith and Eddie Green, bassist John Finerty, and drummer Charlie Forbes, the London-based five-piece began as school boys. 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It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections. It’s an absolute scorcher.\u003cbr\u003e\u003cbr\u003eDuring spring last year, after his tour dates were postponed, Paul Weller needed something else to focus on. With many ideas for new songs stored on his phone, Paul started to record them on his own with just vocals, piano and guitar which he’d send to his core band members (drummer Ben Gordelier, Steve Cradock on guitar and bassist Andy Crofts) to add their parts. Despite it being strange not being together, it kept the wheels rolling and sanity prevailing. The band reconvened at Weller’s Black Barn studio in Surrey when restrictions were lifted to finish the work with the shape of the album becoming clear to all.\u003cbr\u003e\u003cbr\u003eFat Pop (Volume 1) – Paul adding the “Volume 1” to keep options open for a second volume in the future - is a diverse selection of sounds. No one style dominates. 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Grant stopped being a boy in Michigan aged twelve, when his family moved to Denver, Colorado, shifting rust to bible belt, a further vantage point to watch collective dreams unravel. Across 12 tracks, Grant lays out his past for careful cross-examination.\u003c\/p\u003e\n\u003cp\u003eIn a decade of making records by himself, he has playfully experimented with mood, texture and sound, all the better for actualizing the seriousness of his thoughts. At one end of his musical rainbow he is the battle-scarred piano-man, at the other a robust electronic auteur. ‘Boy from Michigan’ seamlessly marries both.\u003c\/p\u003e\n\u003cp\u003eWith Le Bon at the helm, Grant pared back his zingers, maximizing the emotional impact of the melodies. A clarinet forms the bedrock of a song. One pre-chorus feels lifted from vintage Human League. There is a saxophone solo.\u003c\/p\u003e\n\u003cp\u003e‘Boy from Michigan’ ultimately swings between ambient and progressive, calm and livid. 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Each draws the listener in to a specific sense of place, before untangling its significance with a rich cast-list of local characters, often symbolizing the uncultivated faith of childhood.\u003c\/p\u003e\n\u003cp\u003eElsewhere, tracks like ‘Mike and Julie’ and ‘The Cruise Room’ offer an affecting plunge deep into Grant’s late teenage years in Denver, while the midpoint of the album is highlighted by ‘Best In Me’ and ‘Rhetorical Figure’, a pair of skittish, scholarly dance tunes that build on the lineage of Grant’s electropop heroes, Devo.\u003c\/p\u003e\n\u003cp\u003eChildhood as a horror narrative is the theme of ‘Dandy Star’, which observes a tiny Grant watching the Mia Farrow horror movie ‘See No Evil’ on an old family TV set and finally, on ‘The Only Baby’, Grant removes his razor blade from a pocket to cleanly slit the throat of Trump’s America, authoring a scathing epitaph to an era of acute national exposition.\u003c\/p\u003e\n\u003cp\u003eThough he has lived in Iceland since 2011 - the same year he was also diagnosed HIV-positive - Grant spent his childhood and formative years in the US and maintains US citizenship. 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That’s the spirit we were trying to express: an angelic prison bust, a glamorous prison bust.” It’s a condemnation of America’s mundanity, replacing violence with the heartfelt power of mutualism.\u003c\/p\u003e\n\u003cp\u003eWith state lines and oceans separating band members, Deerhoof not only reinvented their sonic and thematic credo, but also their recording process. Deerhoof’s players are not strangers to home-recording their individual parts, and have long embraced composing via file trading. But 2020’s halt to touring kicked off their longest separation from playing together, foregrounding new priorities. As the group’s combined demos became increasingly layered, bassist and vocalist Satomi Matsuzaki put her foot down, insisting the new album should replicate concert energy. Visualizing the quartet on huge stages with past tourmates Radiohead and Red Hot Chili Peppers, Saunier fugue-arranged his bandmates’ complex demos into songs to make an audience smile and dance. He sought out far-traveling delays, heavy playing, and unique panning to evoke the power of outdoor music. Matsuzaki scrutinized spots that would betray the conceit, eliminating anything that took away from the sound of onstage grandeur. “We spent so much time imagining playing together in the process of recording, it’s almost like a false memory of us playing this music together,” Saunier marvels.\u003c\/p\u003e\n\u003cp\u003eFor Deerhoof’s members to continually uncover new corners of their own talent requires deep wells of gratitude, not only for each others’ creativity but for the freedom their career affords. But by embracing each other’s art with curiosity, Deerhoof authors a musical alphabet that continues to astound and inspire, a unique lexicon expanding limitlessly with each album. 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It’s asking, do we create these narratives in our own minds to give us some security when none of us know what’s waiting for us at the end of the day?”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan\u003eThe trio went in with the intention of completing some unfinished songs from ‘A Celebration’, but instead ‘The Myth’ took over as it started to take shape late in 2020, with everything written and recorded within a ten-mile radius. Traditionally, 90% of Biffy songs have been written in Scotland before the band head to London or Los Angeles for recording, but this represented the first time they’ve ever recorded in their homeland. 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The 1LP version has been expanded to a premium tip-on gatefold jacket for the first time and includes a brand new 7-inch vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNevermind is the second studio album by American rock band Nirvana, released on September 24, 1991, by DGC Records. A number of labels courted the band, but Nirvana ultimately signed with Geffen Records imprint DGC Records based upon repeated recommendations from Kim Gordon of Sonic Youth and their management company. Produced by Butch Vig, it was the band's first release on the label, as well as the first to feature drummer Dave Grohl. The album cover, which shows a naked baby swimming with a U.S. dollar bill on a fishhook just out of his reach, is often recognized as one of the most famous album covers in popular music.\u003c\/p\u003e\n\u003cp\u003eNevermind has sold over 30 million copies worldwide, making it one of the best-selling albums of all time. In March 1999, it was certified Diamond by the RIAA. 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Every copy is unique.\u003c\/p\u003e\n\u003cp\u003eIDLES return with their new album “CRAWLER” – an album of reflection and healing amid a worldwide pandemic that stretched the planet’s collective mental and physical health to the breaking point.\u003cbr\u003e\u003cbr\u003eFrontman Joe Talbot says, “We want people who’ve gone through trauma, heartbreak, and loss to feel like they’re not alone, and also how it is possible to reclaim joy from those experiences.” IDLES albums have always been anchored by these overarching themes, but the ability of the band to juxtapose beauty and rage with humor and drama has never felt more satisfying than on “CRAWLER.”\u003cbr\u003e\u003cbr\u003eThese stories are vividly brought to life through IDLES’ most soul-stirring music to date, recorded with co-producers Kenny Beats (Vince Staples, Freddie Gibbs) and IDLES guitarist Mark Bowen. 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After Jane\u003c\/span\u003e\u003c\/p\u003e\n\u003col start=\"6\"\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003ch3\u003e\u003cspan\u003ePink vinyl\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe follow-up to the band's acclaimed debut album, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eEndless Scroll\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (2018), and 2019's \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eShiny New Model EP\u003c\/em\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Broken Equipment was inspired by a book club. In the early months of 2020, the Brooklyn art-punk incendiaries gathered together with close friends to study the works of a wide range of philosophers. Passionate debates lasting long into the night became a regular occurrence, motivating the band to become as ideologically unified as the weighty tomes they were reading. Broken Equipment is BODEGA’s attempt to interrogate the external factors that make them who they are, propelling existential quandaries with tongue-in-cheek humour, highly personal lyrics, and irresistible grooves.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBroken Equipment was produced by Ben himself with \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBobby Lewis\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, BODEGA’s NYC live sound mixer. The record was mixed by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBryce Goggin\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, whom the band sought out for his work with \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePavement\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAdam Sachs\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWIVES\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe album’s 12 songs are set in present day New York City, packing in references to contemporary issues of algorithmic targeting, media gentrification, and the band itself. On \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e'NYC (disambiguation\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e)', they break down how the Big Apple was “\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003efounded by a corporation”\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e and history remains alive in the present. The poetic \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e'Pillar on the Bridge of You'\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the first love song Ben ever wrote for Nikki, while \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e'All Past Lovers'\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e gazes back to the \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e“southern belle\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e” and “\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003echat room suitor\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e” who still live inside him today.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eGenre: Indie Punk Rock\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe height=\"380\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/5xFanUFO0TynCa3kz8MBSo?utm_source=generator\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"What's Your Rupture?","offers":[{"title":"Default Title","offer_id":41118144168092,"sku":"WYR122LPP","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0023\/7666\/3084\/products\/bodega-brokenequipment.jpg?v=1634912617"},{"product_id":"eels-extreme-witchcraft-vinyl","title":"EELS - Extreme Witchcraft","description":"\u003ch5\u003eTracklisting\u003c\/h5\u003e\n\u003cp\u003eAmateur Hour\u003cbr\u003eGood Night On Earth\u003cbr\u003eStrawberries \u0026amp; Popcorn\u003cbr\u003eSteam Engine\u003cbr\u003eGrandfather Clock Strikes Twelve\u003cbr\u003eStumbling Bee\u003cbr\u003eThe Magic\u003cbr\u003eBetter Living Through Desperation\u003cbr\u003eSo Anyway\u003cbr\u003eWhat It Isn’t\u003cbr\u003eLearning While I Lose\u003cbr\u003eI Know You’re Right\u003c\/p\u003e\n\u003col start=\"6\"\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDeluxe box set\u003c\/strong\u003e features 45rpm 180g translucent yellow double vinyl LP in heavy cardboard packaging, lenticular print, custom EELS Ouija board, CD with booklet and an A5 sticker sheet.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eEELS release their fourteenth studio album, ‘Extreme Witchcraft’, via PIAS and the band’s own E Works Records.\u003c\/p\u003e\n\u003cp\u003eEELS leader Mark Oliver Everett, aka E, co-produced the record with PJ Harvey producer and guitarist John Parish, marking the first time the two have recorded together since 2001’s ‘Souljacker’ album.\u003c\/p\u003e\n\u003cp\u003eEELS have had one of the most consistently acclaimed careers in music. The ever-changing project of principal singer \/ songwriter E (Mark Oliver Everett), EELS have released 13 studio albums since their 1996 debut, ‘Beautiful Freak’. In 2008, E published his highly acclaimed book ‘Things the Grandchildren Should Know’ and starred in the award-winning ‘Parallel Worlds, Parallel Lives’ documentary about the search to understand his quantum physicist father, Hugh Everett III. 2020’s ‘Earth To Dora’ album, received extensive critical praise, and was described as “their sweetest natured album ever” by The Independent and awarded four stars in MOJO and NME.\u003c\/p\u003e\n\u003cp\u003eGenre: Indie Rock\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe height=\"380\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/2sVFKGHXygegcFVSPWKHLA?utm_source=generator\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"[PIAS]","offers":[{"title":"Box set","offer_id":42272152060146,"sku":"EWORKS123X","price":49.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0023\/7666\/3084\/products\/eels-extreme-witchcraft.jpg?v=1643365505"},{"product_id":"life-north-east-coastal-town-vinyl","title":"LIFE ‎– North East Coastal Town","description":"\u003ch5\u003eTracklisting\u003c\/h5\u003e\n\u003cp\u003eSIDE A \u003cbr\u003e 1. 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North East Coastal Town is mature; it finds the band at the height of their powers as they carve-up a wide-screen, brooding body of work that is drenched in a sense of belonging and reflection but still impressively maintains their trademark swagger and ear for pop sensibilities and guitar hooks.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Hull and the surrounding area runs through our DNA and has shaped us, weathered us, empowered us, embraced us and made us feel accepted.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNorth East Coastal Town is our love letter to the city. The album is an ode to kinship and relationship with its musical and lyrical spine picking out themes of love, desire, beauty, horror, chaos, pride and most importantly the sense of belonging.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUpon writing and recording this album it was important to us that this sense of belonging was also reflected in the album’s craft and therefore we used locally based studios, equipment, gear, and the community around us to establish what it means to belong in a North East Coastal Town.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e‘Friends Without Names’ – the shapeshifting first glimpse from the album – which was added to the A-List at BBC 6Music, and was recorded in the dead of night and hums with a dark, brooding and passionate atmosphere.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Friends Without Names is the anchor and blueprint for our next record. 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